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By the way, I was not wrong, either

     Pertaining to the previous post which is pertaining to my 2014 book The Semantolkino'hara and Its Applications: The Eschaton, Musicology, and the Name of God, I was never actually wrong in the first place. When it comes to the analysis in the book, I am not in error in what I said. Actually, come to think of it, there was MORE discovered since then, in regards to the analysis in the book's contents, which has not been written about yet- and that material blows my mind as to how not wrong I am.  As I said in the book, the basic tone rows in question are like a "production drive" where most of what people try with it, if their efforts are from intuition, is going to actually work, and will not actually fail. I only touched the tip of the iceberg in the book as to all the possible applications.
     So if people were hoping that after a long time off, through prayer and meditation, that I would come to my senses and realize that I was making some kind of big mistake, those people will be fairly well disappointed to hear that I am now only more certain and sure as to the original assertions there, due to further findings and developments.
   To give people some news about it here, I am developing the aural skills material derived from the original experiments, and it will be a program people can take to develop perfect pitch. There is no need, however, to mention the other so-called "contributors," unless they absolutely want to be mentioned. The new project pertaining to this is only an aural skills class after all, not an analysis or autobiography. There will be no need to throw people's names around.

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